The Barcelona Chair Germany was originally created as part of the showcase in the German
Pavilion during the 1929 international exposition in Barcelona, Spain. Since
then, the beauty and the functional elegance of the chair caught the world’s
eye and which had never been duplicated since even up to this day.
The
chair, a cushion sewn from 148 pieces of leather, was created by architect Ludwig
Mies van der Rohe and interior designer Lilly Reich as commissioned by Georg
von Schnitzel (the German pavilion commissioner). The chair is set upon on
chrome-finish legs to become one of the most celebrated designs in the
exposition.
The look
The
extravagant buttoned leather seat does not really conform to the designer’s
orientation of the customary Bauhaus approach which emphasizes function over
that of form. It was only because it was going to be used by Spain’s King
Alfonso in the Barcelona expo that designer Mies van der Rohe had to make it
extravagant enough for royalty.
The
form of the chair was thought to have been mirrored from the Roman folding
chairs used by the Roman aristocracy. The chair’s crossed legs mimicked the
thrones of the Egyptian pharaohs. According to its modern manufacturer today,
the chair’s industrial appearance required much hand craftsmanship.
Instant
Classic
The Barcelona Chair Germany is often mistaken as a product to represent the mid-century modernism, although
it is a commissioned work in an effort to talk-up Germany’s political and
economic recovery from their defeat in the First World War. Schnitzel hires
Ludwig Mies van der Rohe and Lilly Reich to give “voice to the spirit of a new
world era”.
Mies
is regarded as a modern pioneer of modern furniture with a deceptively simple
style with clean lines and using modern materials. He usually used plate glass
and stainless steel which he referred to as the “skin and bones:
architecture.
What he
created, the chair named after the city of Barcelona, became one of the oldest
modern classics still around to this day.
When
Reich died in 1948, Mies van de Rohe granted the Knoll Company the rights to
produce the furniture. Its welded stainless steel replacing the bolted frame
became widely popular in the 50s and 60s. Knoll patented the chair only in
2004, the reason why there are many replicas in the market today.
Redesign
Mies
redesigned the Barcelona in 1950 using modern techniques that allowed the frame
to be molded from a single piece of stainless steel (compared to the old style
where they are bolted together). The original pigskin seat had been replaced
with cow leather which Knoll still produces today.
While
it is a mass-produced item, the upholstery consists of 40 individual panels
from a single hide, so it has the qualities of a hand-made piece. This might be
one reason that goes in some way to account for its price which is around £4,500
currently.
For
all its humble history, the Barcelona Chair Germany is unmistakably modern in its looks
while retaining its classic quality. Still judging from its looks, the chair is
here to stay.
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